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JAMES R. MILLER
Architect
(1869-1946)
James
Rupert Miller was born in
Fredericton, New
Brunswick, Canada on June 27, 1869. His family moved to the United
States when he was three and by 1880 they were living in San Francisco.
After graduating high school, Miller apprenticed as a draftsman with
architects Thomas J. Welsh, Peter R. Schmidt and A. Page Brown; finally
working for Frank S. Van Trees who completed many of Brown’s projects, such
as the Ferry Building, after Brown’s untimely death early in 1896. Miller
obtained his California State Architectural license (A137) when they were
first issued in 1901 and went into practice for himself, opening an office
in the Hearst Building. Some of his early residences can still be seen in:
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Presidio Heights - 332-34
Spruce (1902, 2 flats), 50 Arguello (1905),
- 3565 Clay, 3857 Clay and 3865 Clay (all in 1905);
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Pacific Heights
- 1920 Scott (1904), 2078-82 Green (1905, now 3 condominiums);
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Lake Street
- 50 5th Avenue (1905).
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3857 and 3865 Clay
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The client for 3857 and 3865 Clay was Edward H.
Mitchell, a highly successful publisher of postcards in the “Golden Age”
when multiple daily postal deliveries permitted communication to
function almost as well as it does through text messaging and e-mail
today! In 1903, Mitchell had built the house immediately to the east,
3851 Clay, designed by architect James A. McCullough. Two years later,
Mitchell commissioned Miller to design two houses on the adjoining 65
ft. wide parcel. |
The Mitchells moved
into 3857 upon its completion in November 1905. At the time of the April
1906 earthquake they were 80 miles south at a ranch Mitchell owned in Ben
Lomond. Family folklore has it that their housekeeper loaded the family
silver into a baby buggy and wheeled it into the Presidio, safely away from
potential damage by aftershocks or the encroaching fire.
After the 1906 earthquake
Miller linked up with architect George T. deColmesnil (1878-1943) to
supervise the reconstruction of the damaged City of Paris building at the
southeast corner of Geary and Stockton and to design one of the first
replacement downtown retail and office buildings at the southwest corner of
Montgomery and Sutter, for Rudolph Spreckels. The new 61,000 sq.ft. Lick
Building had 31 retail stores and 142 offices and attracted a number of real
estate brokers who had been burned out in April 1906 to return from their
temporary neighborhood locations. Miller moved into the building and
continued in practice there by himself while deColmesnil acted as City
Architect for two years. The following are some of his fine residential
buildings from that period:
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Presidio Heights
- 3311 Pacific (1910);
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Pacific Heights
- 1836-40 Broadway (1909, 3 apts.), 2563 Divisadero (1910);
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Cow Hollow -
2900 Scott (1909);
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Downtown
- 275 Turk (1909, 65 apts.), 801 Sutter (1911, 54 apts.).
An important connection
made by Miller after the earthquake was with N. Le Brun and Sons for the
building of a new western headquarters for the Metropolitan Life Insurance
Company, at the northeast corner of Stockton and Pine. The New York firm,
founded by Napoleon Le Brun (1821-1901) and continued by his sons Pierre and
Michel, had been MetLife’s architects since 1890 and were designing a new
Tower at their New York Madison Avenue location, which at 700 ft., became
the tallest skyscraper in the world until 1913, when it was exceeded by the
Woolworth Building.
In 1911, Miller and
deColmesnil re-established their partnership and the following are examples
of their work from that time:
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Pacific Heights
- 2509 Broadway (1911), 2030 and 2040 Gough (adjoining, 1911);
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Presidio Heights
- 3466 Jackson (1913);
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Downtown
- 471-75 Pine (1911), 1000 Market and 111 Mason (1913 hotels).
Miller’s association with
the Metropolitan Life Insurance Company led to three major expansions of
their 600 Stockton building. While still attending evening high school,
Timothy Pflueger had apprenticed in the Miller and deColmesnil office and he
worked on the first extension in 1913 and later led the effort for the
subsequent two extensions in 1919 and 1930. The building was bought by
Cogswell College in 1974, sold by them in 1987, and opened in 1992 as the
Ritz-Carlton Hotel.
The Miller and deColmesnil
partnership ended in September 1913. From the following period of Miller’s
work we can appreciate an auto repair shop at 1745 Clay (1914), and these
fine homes in:
During World War I, Timothy
Pflueger worked in Washington, D.C. and Puerto Rico as a civilian with the
Army Corps of Engineers. After the war he returned to San Francisco and
became Miller's partner in the firm of Miller & Pflueger. In the 1920's Bay
Area theaters formed a large part of their work. Fine examples include the
Castro Theater (1921, S. F. Landmark #100), the Alhambra (1926, S. F.
Landmark #217), and the Art Deco masterpiece and National Historic Landmark,
the Oakland Paramount (1931). Also in the 1920's the firm designed two of
San Francisco's earliest skyscrapers - the Pacific Telephone & Telegraph
building at 130 New Montgomery (1925) and the Medical-Dental building at 450
Sutter (1930), one of the last downtown high-rise buildings to be completed
before the Great Depression.
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Ashbury Heights
- 914-16 Ashbury St. (1922, 3 apts.);
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St. Francis Wood
- 235 St. Francis Blvd. (1922), 55 Terrace Dr. (1924);
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Sea Cliff
- 80 McLaren Ave. (1924).
Miller served on the State
Board of Architectural Examiners (for the Northern California District) from
1920 through 1925 under the Presidency of his friend and fellow Family Club
member, architect Clarence Ward.
Miller retired from active
participation in the firm’s work in 1936 to take care of his ailing wife,
Florence, although she ended up outliving him. He died on August 2, 1946
and his talented protégé and partner, Timothy Pflueger, died just over three
months later on November 18. Together they left a magnificent legacy of San
Francisco residential and commercial architecture.
Note 1:
For more information on Timothy Pflueger, please see his brother Milton
Pflueger’s 1985 book Time and Tim Remembered (written with Terry
Pimsleur), and Therese Poletti’s 2008 publication Art Deco San Francisco:
The Architecture of Timothy Pflueger.
Note 2:
Mitchell family photo provided courtesy of Stafford Buckley, Edward
Mitchell’s grandson.
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